Finished a comic today - Melon and Jelly

I have some plots ready to apply to some cartoony cat characters that I recently developed on paper, after their living in my mind for sooo long.

One image is finished, entirely created in ink. I'm waiting for some camera equipment to charge up so I can photograph it in my highest quality for archiving, in case I'm famous some day. Meanwhile, I have cell phone photos to share.

In the beginning

The idea was an intro to the characters: one cat stuck in a tree, doing what kitties do, and the other patiently trying to get his or her attention. I wanted to try a perspective drawing, so the tree cat would be close up and in your face, to emphasize how animal instincts take over. First I collected photos of plants. I sketched plants. I wandered suspiciously in the garden outside my apartment building, with a clipboard and sketchpaper in hand. My drawings turned out pretty well, but there wasn't really an ideal specimen to practice on. It needed to be a houseplant, like a potted tree or something sturdy enough to (sorta) support the weight of a cat climbing it.

Then I needed images of how a cat looks when clinging to a tree. That was easier, thanks to a Google image search. After that, I had enough technical info to begin drawing on illustration paper. I also knew that I wanted to use ink, because I received so many interesting and supportive comments for my only ink painting so far which hung in a gallery a few months ago. This image will be ink success #2!

Plant shaping up with perspective

Cat body in progress

Background colours starting to appear

Inking gone wild

When working with ink, I have difficulty deciding where to start. So, I usually start filling in some colour, similar to adding mass or tones in an underpainting. With ink, I'm not sure how one does an underpainting, so since I'm using acrylic ink, I treat it a bit like an acrylic painting, where subsequent colouring covers over even the most bold initial marks.

The 'cat up tree' image is only my second ink drawing that is fully painted with ink. I'm not sure ink is meant to be used this way, but I like how it looks, so I'll keep doing some pieces this way.

Unfortunately I constantly forget that some inks are opaque, and many of mine are transparent. It's challenging to lay down colour such as white, to hide a mistake or change some shapes. For example, my little cat standing on the floor was intended to be a beige colour, but once the brown dried, white glazes looked strange, and I found that pinks subdued my harsh brown much better than white did. Between the start and finish of this image, I added white and cool grey to my collection of colours, so that I can make beige, and subtle shadows for occasions like this, where the whole page is going to be filled with colour.

It would also be ideal to take the time to add tones before diving greatly into colouring for these situations. For some reason, I feel compelled when using ink, to just dive right in and colour the items. Maybe it's the nature of acrylic. It dries quickly and you can address one piece of an image at a time, quite differently than working with watercolours.

Subsequent comic panels will probably be made digitally with Painter or iPad apps like ArtRage or ProCreate, or minimally-inked, to save time and get my ideas out quickly.

Green ground balances green leaves perhaps

Still learning colour mixing

Close to finishing

Background became golden to help plant stand out

I decided on blue, no surprise...I like bright colours

Don't drink the water! The coffee is okay, though

Cats are starting to have faces and details

Still not quite finished...and it's been a long process

Finally success!

The finished piece by Heidi Bada

I like how the flying bug turned out; he seems to be glowing and appealing to the blue cat Melon. The little guy on the floor kinda stuck in my mind to be a slower-moving character, so I'm glad he or she (I still haven't decided) looks cute and cuddly in pink, since my attempted beige didn't work. I was surprised how painstaking it was to create highlight and shadow sides to the tree and cat. The shadow portions involved grey sometimes, and other times just more brown, and yellow and white helped produce highlights. With practice, I'm sure this task will become easier. As I said before, acrylic ink dries quickly, including the stock on my palette where I was trying to mix lighter and darker shades for the tree and Melon (the blue cat). Now that I think of it, the pink cat should probably be female. Seems obvious now. But we'll have to wait and see! I guess that's my comic strip cliffhanger for you today.

Images are provided for entertainment; please don't copy without discussing with me first.

FYI- all images everywhere on my blog are All Rights Reserved. Do not copy or use the images in any commercial manner, such as printing to post on your wall or pasting into your website. I will consider requests to use images for academic and personal purposes, and I'm available for hire for commercial image creation and am willing to discuss rights management arrangements for digital, merchandise, and other rights to commercial and personal usage of my images.

Educational video graphics sample in progress

It's already been a few weeks since I studied an intense intro to motion graphics. I gathered some footage to practice with and decided on an educational roadside ecology lesson, that takes me back to college when I learned a lot about Garry Oak trees.

This project ate up my time today, in addition to going for a long walk in Swan Lake park that resulted in getting drenched during a moderate rain spell.

It's about 10:00pm and I'm still a bit damp feeling from that walk, while I work on my Garry Oak video clips.

I'm busily creating new samples of my recent interests like animation and motion graphics. This video may not need motion elements, because it's already filled with short segments of different features of trees, and I'm not adding any cartoon characters...or maybe I should!

It's all good practice. Adding and/or animating elements in a video, such as text overlays, requires a sense of timing and generally a sense of usefulness. I've decided that the audience for this sample video is 10-12 year olds. I don't have quick and easy access to lots of terminology about ecological and biological features of trees; college was a long time ago and I don't remember the specifics. 

A little animation may draw attention, without overpowering or dominating the visuals of the trees themselves. I'm most interested in practicing with the pen and brush tools to see if I can produce a line that connects the terms to the tree in an animated fashion. 

Luckily, with practice, the techniques I learned in the tutorial (off lynda.com) are getting easier and more precise, and they tie in nicely to basic graphic design principles I've also studied in the past, which keep me from going overboard with animation (hopefully).

I'm sure you readers will let me know if anything looks wrong!

Busy with a variety of artistic media

It's hard to choose some days. I always start with at least two goals for the day, such as finishing a painting and doing a digital painting exercise. Any gigs I get off fiverr.com are done in addition to that, because I have a high drive for learning newer, better techniques than I learned way back in high school and days off during a long period of work and studies.

Last week, I decided to focus a little, however, and I set aside many drawing goals (ie. life drawing studies) so that I could try out some animation, motion graphics, and video compositing techniques I found tutorials for. I ended up downloading an animation software demo that lasts 15 days - Toon Boom Studio.

I've also completed a study in motion graphics that went from basic motion tricks to creating animated logos in Photoshop. I went on just in the past few days, to try to figure out how to add masks to videos, so that people can be highlighted or cropped out for example, even when they are moving around in the frame. Clearly, there's lots to be covered in my bag of interests.

So far a single activity hasn't popped out as 'the one' that I'll prioritize in my personal and commercial pursuits. In the past few days, my animated stick man has gotten more sophisticated, and so has my video masking. Meanwhile, all of those activities require keeping my drawing skills keen. Thus, tonight I set aside most of the computer activities and started a simple watercolour painting exercise using my favourite subject, cats, to try out some quick colour decisions and glazing techniques.

I just wanted to write to keep you interested, and know that I'm not falling off the radar. I have taken a bunch of photos and computer screenshots and need to sit down, organize them, and post them with useful stories about work in progress and my reviews of techniques I've learned recently.

Also, one drawing has been chosen to appear in a group show at Pandora Arts Collective later in November. It's the Forest Kitty ink drawing I previously blogged about. I'm excited about that, and to see the work of my drop-in art group peers on display together.

Happy graphics/video/animation/painting everyone!

Website antics today; problem with SSI (server-side includes) already solved

While keeping up my drawing and painting skills, I'm also making progress on a website that serves as a sample of my HTML skills. The site (of course still in progress) is patiostudioproductions.biz.

My notes below are shared for people who may have the same problem I had with using server-side includes in my HTML files.

Today I worked with server-side includes for the first time in my life.

SSIs allows repeating elements like navigation bar and footer to be created once, and included in every page. My web host Freehostia.com allows SSIs and now that I've got it working, I'm grateful because apparently not all web hosts allow it.

It's an alternative to using templates like you find in fancy software like Dreamweaver. I don't use Dreamweaver so I can't use templates. There are other alternatives such as using PHP but I'm not aware of how to do that yet, so SSI is my faithful companion for having consistent repeating elements in all my pages.

Here's the line that includes my navigation bar to appear in all the pages at patiostudioproductions.biz:

!--#include file="navbar.htm" --

While following along in my big Missing Manual: Creating a Website book, my nav bar wasn't working correctly. My nav bar links would show up as the expected list of pages, but each link would go to a 'page is missing' notice.

I thought I did everything absolutely correctly.

It turns out, I did, and here's how an error creeped in without my awareness.

First of all I'm using a Mac. I use Blue Griffon as my HTML editor, and TextEdit for editing CSS pages.

To work with a SSI, I needed to create a separate HTML file for the navigation bar information - just three links that go to 2 pages and 1 bookmark in my site. Previously I copied and pasted the links into every page. I inserted the #include statement shown above.

At that point, links showed up but were leading to error pages.

I looked at the navbar.htm file closely. Just three links. No problem there, I thought.

I compared my two pages line by line and noticed a missing DIV tag. So that helped a little. When I manually typed in the address of the page, it looked a little weird to my surprise, but putting the missing tag in solved THAT problem.

Still, my nav bar wasn't working.

Again I looked at the navbar.htm file in TextEdit. The reason I needed a plain text editor for this is that Blue Griffon automatically places HTML and BODY tags, etc in the file whether you like it or not. Files that are going to be #include'd mustn't have those tags, so I created it with my Mac's basic text editor, TextEdit. To edit the file without introducing any tags or text formatting elements, I found the best solution was to simply rename the file as navbar.txt each time to open it in text mode (rather than RTF document mode). Then, just before uploading, I'd rename it as navbar.htm.

I had opened and closed the navbar.txt file several times, trying to make sure I had no spelling mistakes, etc., since it wasn't looking right once uploaded.

See if you can see the problem.

There's a problem there alright...but I've never noticed it before in other contexts!

Version A

Version B

One works, and the other doesn't. Which one is the correct one? Interesting, huh?

Well...maybe you noticed the error much sooner than I did. It's the quotation marks. Version A works. Version B doesn't recognize the Home link because the file name isn't technically surrounded by quotation marks. Just after the file name on the 2nd line, the closing quote mark is the curvy/slanted style used in word processors. When I copied and pasted the straight up-and-down style quote marks from elsewhere, the file worked perfectly.

If only I'd known. I wasted an hour copying and pasting before I noticed this finicky problem.

Now look at A versus B again. 

Those curvy quotation mark stands out in version B now!

As I said at the beginning, I'm sharing this to help people in a similar circumstance solve the problem quicker than I did.

'Cat on path' drawing took a lot of time and involved a lot of ink

I completely neglected to blog as I was creating this one, over a period of about 3 days. So here it is. It's one that already I am arranging to frame and hang on my wall. It seems worthy of trying to sell on ebay some day, or my local shopping site usedvictoria.com.

Here's a quick look at the finished piece:

Forest kitty ink drawing by Heidi Bada

A few points to remember about my artwork

1. All images anywhere on my blog, stores, and other online or print locations are copyright protected. I'm shocked that people these days think they can use peoples' drawings and photos in their ads. It doesn't matter that a (c) copyright symbol isn't present. Please spread the word that you need consent to use other peoples' images in your ads, signs, flyers, websites, and so on. I'll stop the lecture there.
2. I'm looking for feedback and of course let me know if you'd like to buy a print. My next step is to upload it to my FineArtAmerica and Society6 stores (Society6 seems to have cheaper shipping but I'll leave it up to you to decide). 

How this image evolved

Since the piece is completed, I'll give you the whole story with my recollections.

First, I thought I wanted a sweet little forest scene with munchies for the cat. I sketched on scrap paper to get the figure close to real life proportions, and wanted to keep that cute little face that appeared even though it seems like it's straining to see something off to the side.

Basic cat on a path surrounded by weeds

I thought a cat on a plain green background would be boring, and I saw an opportunity to make a foreground of encroaching branches. I was also trying out a potential maximum for the reach of the grass, represented by those yellow bushes in the top region.

Grass and leaves added

I'm pretty sure I didn't like what I saw. I wanted to see what the sky would actually look like, not knowing how dark my new blue ink would dry. Yikes! It's pretty opaque and medium-dark.

Sky and rocky foreground started

Going on my idea of leaves, which at this point weren't standing out very noticeably, I also discovered the bottom region needed a foreground too, as an environmental cue that the pathway is an opening for your eye into the picture and perhaps adventures of this kitty cat.

Now a step back to see some balance in the image

I seem to have gotten quite involved at this point, and didn't snap any more cell phone photos. I really wanted a bright cat, with an inviting environment to explore. Given the sorta dark sky, I started to sense an evening time for this image. 

I smoothed out the grass and the rockery to match the even tone in the sky. The cat's colourful coat required several...coats...of ink to cover the area and allow some highlight variations while I also had yellow on my ink palette for doing the green grass and leaves. While the leaves ended up brighter than the grass, they actually stand out as an eye-catcher for the cat's yellow eyes I think.

The land unexpectedly started to look like it was rolling off into a valley at left. It reminded me very much of rolling hills along the roadside in the interior region of B.C. where I've travelled.

I thought I'd leave the ink work done here, with a viewer wondering what the cat is thinking, what it's looking at, and where it might be located. I think the bright leaves indicate the location might be close to streetlights or houselights, and it seems cozy to me.

Finished now

Working on a cartoon skiing watercolour today with Aquarelle paper

It's my first time using Aquarelle watercolour paper. Right now I'm just waiting for an initial blocking of colour to dry. It's my cartoon character Fuzz in a ski scene.

My last few drawings were ink, and even though I just bought a few more ink colours to make tints and shadows easier to complete, I feel compelled today to revisit my interest in watercolours. Depending how the painting turns out, I may add some illustration using ink as well, but ideally I will control the paint enough with several washes to make my cartoon character pop out of the scene.

It's an action scene, just like I used to draw as a teen, and in college too I recall. This is my most-frequently-doodled character in my school notebooks. He doesn't look like a stunning dude so far, but let's hope my watercolour skills give him some stature by the end of this painting exercise!

Fuzz Skier watercolour in progress

Notice the painting support is my trusty Sterlite plastic bin lid. Works every time, and protects my work table that also serves as my fine dining table.

New ink and pastel image done: You're Watching?

I've been busy organizing my website and learning some new HTML skills the past few weeks. Normally, I would like to post on my blog more frequently.

New cat drawing: You're Watching?

You're Watching? by Heidi Bada

So this drawing was done with some self-imposed pressure. Also I was a little unhappy with recent efforts at drawing the image in my head of a cat being interrupted while cleaning its paw.

Here it is, in pastel and ink. I think this time I captured the eye properly, to show that she is perturbed while being watched.

Prints will be available soon from my FineArtAmerica and Society6 galleries. Of course, this original is for sale too!

Website Project

Now the other thing I've been working on, the standalone website, started out as a venue to show off my HTML skills. However, it quickly became a goal for me to show off my illustrations in a comic book format. Then it was not so much comics necessarily, but just any storytelling goal using a website and modern HTML and companion tools.

I'm now taking a different direction with my website project, studying successful websites and figuring out what makes a good story in websites. I don't have anything up and running on my website to share yet, but rest assured this blog will be plastered with it when I've got at least a few illustrations in place.

My goal is to use ordinary webspace to demonstrate illustration as a storytelling tool, in both animated and static forms. Could be for entertainment, but more likely advertising and product demonstration. I love working with video as well, so the trio of illustration, animation, and video combined in a webspace creates a fun environment for me to work in. I'll want to create the images and the interaction/animation functions for custom projects, ideally.

It turned out that self-directed comic book sharing on comic book sites is a difficult way to get noticed and get feedback I need, regarding engagement of viewers and the qualities of my characters and storylines.

Using a website of my own, I can at least share my work, get more HTML experience, and get direct feedback from friends and fans.

My animation style was originally inspired by some Madefire comics I found using my iPad in the app store. I like how animation is minimal, and simply enhances the storyline (usually).

There you have it: a commercial application of illustration that is quite exciting and delightfully unpredictable as technology changes. Sounds good to me.

How to finish this off? Another cat pastel nearing completion

This one is made using pan pastels. I like the current unpainted state of the foreground objects.

Frisky Tail nearly completed

The whole point of this picture was to convey a typical reward that a cat looks forward to, being pat on the head.

But as I finished some of the background details, I noticed a bit of a social theme emerging. There's a mouse right in front of the cat. The sun is shining. The trees are lively and full of energy.

The cat unfortunately, like many people, is ignoring the world at his footsteps in favor of a quick fix. It's easy to look cute and get a pat on the head! It takes energy to enjoy active and cognitive pursuits.

In any case, the foreground objects will probably be completed with a bright color scheme to draw attention to them.

Let me know if you like it! The finished work will show up at my Society6 and FineArtAmerica shops, and my portfolio too.

Cheers,

Heidi

The paws grew claws today! It's a start on the finer details

Prissy Kitty looking a little more life-like today

Finally my colours and pen-handling on the Wacom are coming together. I decided to try adding some claws with a fine soft pastel, and add a whole additional layer of colour, so that I can even out the colour in the body and face. I believe I'm finished the tail now. My painting was brief - about 30 minutes today so far - and I like how the strokes of soft pastel created some appropriate highlights and shadows in the tail and front paw, plus edging to define those shapes.

Disregard the red background for now; I have a photo of a background I plan to work on and it has a cherry wood type of pattern.

I also spent a little time browsing tutorials online, to see if any more sophisticated technique could be applied. I found a useful tutorial that shows the basics of painting light and shadow on a still life, ironically done with Photoshop! It's title is Painting Light and Shadow, by Mattias Snygg.

Think I can finish this digital painting?

Just remember, it's my first one in a long time, and first one using a Wacom tablet.

My very first ones earned ribbons at my local country fair. The judges didn't know what a digital painting was, and no one had really heard of Corel Draw yet. That was my start with digital graphics, in 1993 to 1994, the first few years after I finished high school.

The kitty drawing (Prissy Kitty, I've decided to call her, to match her mean glance at the viewer who is interrupting her cleaning routine) has a face shaping up.

The eyes were detailed today

I'm crazy addicted to this digital painting, and at the same time need to read through the Corel Painter Getting Started Guide. I can't find keyboard shortcuts fast enough when I need them!

Progress on kitty painting...now it has a background in progress

Here's my Prissy Kitty digital painting so far, with a background started today. I'm following the basic steps in a tutorial on building up a 3-dimensional cartoon-like image.

This image feels like it's on track thanks to tutorial

I had been working on this image bit by bit, while learning to use Corel Painter AND my Wacom tablet. This tutorial was perfect for developing my image properly in terms of digital painting steps. I like the image in my head so much, that I'm being quite tedious in my process.

I went too far into my shading and highlighting earlier, trying to establish some depth to the character, before I found this tutorial. Depth can be established by painting, like in real life, with tints and shades of colours. That is was I initially did here. I also tried some dodge and burn tools that other tutorials suggested, after laying down a relatively flat colour to work with. It's useful to get practice in both.

And thanks to the Corel Painter Getting Started Guide I mentioned in my last post, I'm finding tools faster and more reliably already! And with only an hour of practice so far.

This tutorial starts out with blocked-in colours (in Photoshop I believe) then lighting effects, then details. The background is dealt with fairly late in the process, which suits this image similarly to the example shown in the tutorial. We'll see how it plays out in Painter and my kitty drawing. I'm still intending to have a leering glance on her, being interrupted by an admiring passerby looking at her shiny and clean coat of fur.

Prissy Kitty coming along, even though I was busy doing a few freelance gigs today

Fiverr.com is keeping me really busy with app reviews. I love that computer geeky stuff, too, but I felt a little weird the past few days to not have much time to work on drawings.

So tonight at 11:00pm I blocked out a little time and no pressure to make a little progress on my sleek cat drawing idea that I started recently.

Cat looking a little more colourful after 20 min

I feel good that I made some progress. I still need to define in my mind how elongated I want her to be, and what kind of muscle tone I want to portray. I'm definitely leaning towards the clay sculpture look that I love so much.

Thoughts about transitioning from traditional to tablet drawing

While working with Corel Painter for this drawing this evening, I discovered a pastel drawing tool that feels very much like traditional Pan Pastel. It was Real Soft Pastel brush. I managed to get a real soft imprint as though I was using a sponge with Pan Pastels, especially when holding the pen in an overhand grip.

This pen grip doesn't always work with the graphics tablet, and works a lot better if you tilt the tablet so that the pen is making adequate contact at an angle. It effectively makes you notice how your whole arm is moving, rather than just your wrist. I prefer to not rely on my wrist, as I'm looking for soft, sweeping movements of course for my kitties.

I don't see any discussion online so far in my travels about how to transition from traditional drawing methods to a drawing tablet. I don't really want to give up my spontaneous and freely-moving arm gestures; a lot of comments online about Wacom tablets indicate the users are adopting a handwriting grip when using the pen.

I'd love to hear opinions on how people hold their drawing tools, whether pen, pencil, brush, or digital tools. Even my drawing books don't address this much, except for the one I'm currently reading. It's called Drawing Basics and Video Game Art by Solarski and it goes into some good detail about how to hold a pencil in various ways for drawing.

Another cat drawing came to mind - she's busy making herself look good

I got an idea to use the idea of a cat to portray a glitzy glamorous personality, to be interpreted whatever way the viewer likes, using pastel.

The visual style I want to use is the same one that dominates my mind but I work hard to get close to it using pastel. I believe acrylic would get to the effect quicker, but I enjoy using pastel, and now my Wacom tablet more than acrylics which are more costly in terms of preparing a surface and potentially ruining brushes.

I've decided the illustrative effect that I am most enthusiastic about can be described as claymation or china doll appearance, but in paint or pastel, which looks kinda like what these artists produce:

1) Will Terry, whom I found by accident online today. My favourite image of his is a good example of that 3-D clay sculpture look I enjoy. It makes me feel warm and fuzzy, and I believe it is a great way to portray cats. I believe cats belong on a pedestal. I'm sure my cat theme in my drawings tells a lot about my personality.

2) Jaime Zollars is another artist I found in some book in the past and I made a note of the name. My favourite image looks so serene and emotional.

3) Shawna Erback, found on Fineartamerica.com. My favourite image is video-game-lifelike even though you can't see the girl's face.

4) basically the entire graphics in the movie trailer The Boxtrolls, showing on TV right now!

I started this cat image as a digital painting. I've gotten as far as a pencil sketch. She'll have a glaring stare at the viewer, to say 'leave me alone while I'm washing.' I'm pretty sure every hair will be in place, except maybe a tuft that is disturbed currently by her tongue. And she'll have a pretty bow or bell on her collar. It might just be my most challenging personal project yet!

I might also want to create a copy using pan pastels. I think the glow of white paper underneath the light dusting of pastel pigment would look seriously vibrant and engaging.

Cheers for a work in progress!

Hey...at least I got the basic form out already!

Where will I start with using my new Wacom tablet for digital drawing and painting?

I've been asking myself that since I bought my Wacom digitizing tablet a few days ago. It's not an easy answer. The product doesn't come with a manual, no surprise, but it also doesn't have anything to help a traditional artist or a Photoshop photo editing specialist adapt to this new tool.

Do I redo my drawing and painting skills using the tablet instead of pen or brush?

Do I open a blank window and press the buttons and move the pen around to see what it does?

Or do I try out the Corel Painter X3 trial app that came with the device - hoping that Corel has created a digital drawing tutorial to learn the tablet's features, and digital painting in general?
* note: several other drawing apps come with the device, but Painter is the only one I'm familiar with

Or hope and pray for help on YouTube?

Being the type of person who just likes to jump in and do something, rather than search online for an answer to a specific but obscure question, I make a short plan:

1. Open Corel Painter and follow any tutorials it offers using my Wacom tablet where possible
2. Try Wacom website (again) to seek instructional videos on using the hardware properly - during installation, videos offered gave me no instructions on what its buttons do, and I didn't feel inspired to search YouTube for other videos at that point
3. Use Painter while working through a book I just studied at library: Bold Visions, oriented towards digital painting

The results follow! 

I spent the whole afternoon getting a good feel for the device, and Painter to boot. All I knew about Painter at the start, is that it is the best app for simulating watercolour painting, and I love that idea!

I just finished doing a thorough practice using the book Bold Visions, and it works with environments, lighting, forms, shadow, and many examples of working from sketch to forms to details. This exercise gave me an opportunity to work with the copious notes I made.

In Corel Painter and Corel.com

Starting point for learning more about Corel Painter

To my delight, it offers a learning module full of instructional videos. Many cover how to work with brushes in the app, and some videos cover full image creation examples. Non-video written tutorials are also available for those artists who prefer to work with step-by-step instructions. I clicked on Digital Art.

After viewing a few videos, I was still only working with basic strokes, and still didn't know how I'm supposed to hold the stylus, or what the buttons do when actively painting. Note - the System Settings app in a Mac computer creates a Wacom category when the device is installed, and it lets you program the buttons and set up your usage preferences.

In Wacom.com

Here I found a different pathway to find tutorials. At the main wacom.com website, I hit the ? icon to get Support. Then Product Tutorials. There I chose my model (Intuos Pro) and also saw a Webinars tab that turned out to offer Painter and other painting tutorials that apply to any tablet.

Tutorials organized by Wacom product families, plus webinars

Continuing with the Intuos category, I found two tutorials that go beyond the installation process. One is for working with "radial menus" and the other is about configuring buttons and preferences. Finally I found answers to some of my curiosity about how the features work! I mean, I saw quickly that the buttons can be programmed, but without experience using buttons in conjunction with a drawing tablet...well let's just say the information didn't register as to how I might want to program my buttons and radial menu. A nice feature is that by default, the second "express button" down brings up a diagram of the buttons and stylus, and clicking on any part brings up the appropriate settings from the Settings-->Wacom Tablet module on my Mac.

*note - the tablet needs to be turned on (it isn't automatically on when using without cord) in order for Settings --> Wacom Tablet to open.

Good to know: 1) settings can be recorded for different apps, 2) the second button down on the tablet brings up a reminder of all the current settings for all the buttons

So there you go...I feel much better prepared for Painter, and I'll create some real pictures using my tablet with techniques learned in the Bold Visions digital painting book I found at the library.

Using Bold Visions techniques

The overall technique is probably the same any artist would learn in art school - rough in shapes, add tone to establish depth and three-dimensionality, and finally add details. The procedure using something like Photoshop or Painter requires several layers ideally, to get the best control of the digital canvas.

I started with no particular image in mind, just a cats theme and a textured pastel paper with a lavender tint.

I instinctively started outlining a cat with a pastel tool...then I remembered I'm not just sketching. I started over with the idea of blocking in shapes as an underpainting, still using a pastel:

I continued to work at adding colour glazes (influenced by recent studies in pastel) and edging. By now I was holding the tablet at a 30-45 degree angle with one hand, and drawing with a relaxed and loose grip (learned from drawing tutorials) with my dominant hand. Since learning to NOT draw with a handwriting pose, my drawing surface needs to be angled, including my tablet. It's proven to be effective for controlling my mark-making strokes. I'm certain that the classic handwriting pen posture was developed so we could colour inside the lines. No need for that here.

I'm having lots of fun using the tablet, as I would with tradition in-hand drawing tools. The ability to choose unlimited colours in my apps is invaluable, by the way. The colour picker is oriented around a colour wheel with tints and tones displayed in the centre, which is convenient. I wouldn't say that drawing on the computer is any quicker than traditional media. The colours and lack of dust are two positives, and when doing watercolours, I hear that Painter allows 'drying' the paper which is sometimes a pain when using real paint.

Here's some edging now on a new layer, in Gel blend mode.

More form and some edging

I haven't tried to smudge my pastels yet. It turns out Corel Painter includes a variety of Blender tools that smudge the strokes.

I've gone a bit farther ahead to do some detail in the eyes and nose, to get the shapes started in that area, so I can get onto shadows and light sources for the purposes of demonstrating the tasks I typically would do with a digital painting project. They eyes and nose layer is Default blend mode.

Closeup of eyes and nose beginnings

Next I tried to do some quick lighting and shading. I want to add highlight to the shoulder and under chin to use up some of the excessive facial region and body that I blocked out earlier.

In the process, I also added as much detail as I intended. Here is the final result:

Final cat by Heidi Bada

There you have it. A completed digital pastel drawing. Didn't cost me a penny, other than buying the drawing tablet. I started to enjoy using the device nearing the end. Using blend modes and adjusting opacity is a great digital feature in Photoshop or Painter, and opens up new kinds of images I can make. So I shall keep busy practicing my drawing and pastels, while also studying digital art and using my imagination to apply these modern tools appropriately for goals.

New advancements on my watercolour cat drawing today

I just discovered that cell phone will share to Blogger! Let's see how this works.

Newest cat drawing made into pastel and watercolour

This post is a catch-up to get my blog caught up to my Facebook and Twitter feeds.

During the past few days, I've finished several pieces, and used my cell phone to get them quickly announced on Facebook, Youtube, etc. It's just so easy to do it that way. However, the blog here allows a more thorough explanation and the ability to label my posts. So here goes.

First of all, I created and completed a pastel cat painting recently that I want to show off. I like the drawing it's made from, and I made two copies - one for pastel and one for watercolour. The watercolour is still in progress today.

Pastel cat painting by Heidi Bada

Watercolour version still in progress

I also recorded a bit of commentary regarding the pastel version which was uploaded to YouTube:

New cat drawing in progress, waiting for daylight so I can trace it

I really like how the first version worked, made from a sketch done earlier today as an experiment and test of my memory of cat features. It turned out so likeable, that I want to wait till tomorrow to make some copies. My method is to tape it to the window and trace onto watercolour paper taped over the initial good drawing. It's quite late now, so I'll wait for daylight.

Meanwhile, I made a video (in two short parts) that show the work off a bit. I plan to make a watercolour with traditional washes, to practice my watercolour paint handling, and a pastel version using my new Pan Pastels, and also probably a charcoal drawing or ink version.

I'm still not sure which media I'd like to specialize in, so I feel compelled to try all with this cute drawing of a cat.

Enjoy my comments about the drawing below.

Progress on Cafe Guy line drawing started at Starbucks

I like this little drawing I made at a cafe. I was trying to keep my people-drawing skills active. Doing it reminded me that I feel comfortable drawing people, even when they're not in intense action.

Here's a screenshot of the work in progress, on a bigger sheet of paper now. The original was about 4x5" at the cafe, and now it's 8.5x11" on watercolour paper.

Ink drawing of Cafe Guy, copied from sketch book

I actually made two copies at the larger size. The first was drawn simply from the original as a model, and without precise scaling. The result is very close to the original little sketch. By the way, the guy left while I was drawing - he was a cafe customer and I hoped he was merely gone briefly to the bathroom - but really only the table portion was missing, so I turned it into a ledge. He never returned, anyway, so I stand by that decision.

The other large copy was made by tracing the first enlargment, after it was inked. The violet ink I chose was barely visible when blank watercolour paper was laid over the enlarged, inked copy, taped to the window. This copy was also inked.

One of these larger copies will become a hard pastel illustration, and the other a watercolour. I'm in the mood for lively, fanciful colours and backgrounds lately, and this subject gives me lots of opportunity to play.

Some of my thoughts were captured on video using my cell phone, soon after making the first enlargement, and they are shared below. I hope my video comments throughout this blog will give you insight into how I work, and get the results I do.

I'm always learning more, don't get me wrong! It's been a while since I had full-time creative work. I miss it and want to get there again, using the internet regularly to share work, and push myself to ever-greater skill. The quality of illustration I see online these days, and now digital arts too, humbles me but also thrills me.

I like this sort of line illustration. It reminds me of doodling during high school math class, or drawing objects under force in high school physics. I recall very much having notebooks full of doodles that didn't relate at all to what I was supposed to be doing, as well!

Since my last office work position ended earlier this year, I am confident to keep practicing the excellent training I've had in live classes, and tutorials found online. The techniques are out there for all of us to practice and experiment with. I'm just relieved to find sites like fiverr.com that let me offer skills for convenient sale! Find me there- my handle is "Island Geek" and I have 100% 5-star ratings, and a 3% world domination value!